A collection of plein air paintings of the shoreline at various locations and times, arranged into a horizontal sequence.

In this series, the images on the left are traced using a simple camera obscura onto mylar. These drawings constitute hand drawn negatives that I print as a cyanotypes (right images).

This series was developed over many days in July when I painted en plein air at Lake George, in the Adirondack Mountains. The studies represent the quickly changing weather patterns over the water. Once I was caught in a sudden rainstorm, which left its spattered imprint on my paintings.